Horror Community Highlights – March 11, 2010



email suggestions for next week’s community highlights to jon@evilontwolegs.com

Seven Killer Songs

In Irish folklore, the banshee is an apparition whose mournful, wailing song signals someone’s recent death. In most versions of the myth, the banshee’s song is so piercing and strong that it can cut through solid objects and drive those who hear it insane. It’s a shame that this intriguing myth isn’t used more often in cinema, but there is, thankfully, a fine tradition of foreboding music and song in horror films. I’m not referring to soundtracks, but to songs that exist inside the world of the film that the characters can hear, but likely wish they hadn’t, as they indicate that horrible, violent things are about to happen.



1. “Jeepers Creepers” from Jeepers Creepers (2001)

Jeepers creepers, where’d you get those peepers?
Jeepers creepers, where’d you get those eyes?
Gosh all git-up, how’d you get so lit up?
Gosh all git up, how’d it get that size?

Undeniably, this is the jazziest song in my list. It’s been covered by everyone from Louis Armstrong to Ella Fitzgerald to Siouxsie and the Banshees. In the film Jeepers Creepers, Trish and Darry are warned by the mysterious psychic Jezelle that whenever they hear the song it means they’re in danger, and that it’s also the key to understanding the mysterious creature called the Creeper. I’m not sure that the song ever really helps in explaining the Creeper, as the only connection between the two seems to be the fact that he has a thing for stealing eyes. But that’s enough for me, as I would have been very disappointed if it turned out that you could dazzle the Creeper into submission with jazz hands.

2. “Hey You!” from The Mummy’s Curse (1944)

Hey, you
With the naughty eye
When you pass us by
We just have to cry
“Hey, you! Yoo-hoo!”

Deep in a Louisiana bayou, the mummy of Princess Ananka is resurrected in the form of beautiful woman when an excavation team exposes her to sunlight. “Cajun Joe,” the team’s foreman, takes her, for some inexplicable reason, to Tante Berthe’s Café where Tante Berthe herself sings the folk classic “Hey You.” The song sets the exotic, alluring mood for the film, and also heralds the imminent demise of both Tante and Cajun Joe. Ananka’s mummified hubby isn’t about to let his ancient bride be subjected to Cajun crooning. Why the mummy is in a Louisiana swamp to begin with is anybody’s guess, as its prequel, The Mummy’s Ghost, ended in Massachussetts. Lon Chaney, Jr. apparently hated this film, and it ended the Mummy franchise at Universal Studios for several decades. Still, I’ve always liked the Cajun vibe of this film.

3. “Your Eyes See But My Shadow” from Phantom of the Opera (1989)

Your eyes see but my shadow
My heart is overflowing
There so much you can learn to love
You’re not content knowing
Tenderly you could see my soul

The current stage version of Phantom gets all the glory, but Robert Englund put aside his striped sweater to play the part of Erik, the brilliant composer turned monster who makes a deal with the devil in exchange for the perfect song for his opera Don Juan Triumphant. Naturally, the deal goes south and his face melts off as soon as the song is complete. The song, called “Your Eyes See But My Shadow,” is lost for decades until an up and coming opera singer needs a break and rediscovers it. To be honest, this film is a pretty lousy version of Phantom, but the song is actually quite good. As is often the case with catchy diddies, anyone who hears it in the film is likely to die in a freak stage accident involving scaffolding and sandbags. While I wouldn’t go so far as to say that the song is good enough to justify having your face horribly disfigured, it’s undeniably the best part of the film.

4. Freddy’s Lullaby from A Nightmare on Elm Street (1984)

One, two, Freddy’s coming for you.
Three, four, better lock your door.
Five, six, grab your crucifix.
Seven, eight, gonna stay up late.
Nine, ten, never sleep again.

I don’t know why lullabies are so inherently scary. Perhaps it’s because they remind us of how strange and uncanny sleep really is–something children seem to know, even if adults learn to forget it. Most traditional lullabies have a surreal and even violent subtext that equates sleep with death, or suggest that mysterious things happen during the night when we’re asleep and vulnerable. Wes Craven taps into all of these fears in the original Nightmare, a film that scared me as a kid far worse than other films of that era. That was due in no small part to this creepy lullaby often sung by jump-roping children and always a portent of Freddy’s arrival.

5. “In Dreams” from Blue Velvet (1986)

A candy colored clown they call the Sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
“Go to sleep everything is all right.”

It’s amazing that this film can turn such a classic, if saccharine, song into something so utterly depraved. The sexually ambiguous Ben initially does a bizarre pantomime version of the song, but it’s Frank’s recitation of it to Jeffrey before savagely beating him that makes it so horrifying. He delivers the song’s lyrics, after dosing himself with a powerful hallucinogenic gas, with such emphasis and force that he seems to insist that there’s a hidden message in it, or that it might give Jeffrey the answers he’s looking for. None of this is true, but the fact that Frank thinks so makes him—and the song—all the more frightening.

6. “Nights in White Satin” from Halloween 2 (2009)

Nights in white satin, never reaching the end,
Letters I’ve written, never meaning to send.
Beauty I’d always missed with these eyes before.
Just what the truth is, I can’t say anymore.

In his version of Halloween 2, Rob Zombie uses the classic Moody Blues song to symbolize Michael’s insanity and his powerful attachment to his dead mother. And it means a whole lot of hurt for anyone in the film who hears it. The song is very effective in setting an eerie tone for the film, and Zombie also uses it to establish the film’s use of white as symbol for oblivion. To that end, he also includes an archetypal white horse, which, as he explains at the beginning of the film, is a universal symbol for instinct, purity, rage, chaos and destruction. In much the same way, the television show Twin Peaks used a white horse to symbolize heroin addiction and the loss of reason. In Melville’s Moby Dick, the white whale symbolizes both god and death. None of this is even remotely relevant to John Carpenter’s Halloween or any of his original characters, and I don’t think Rob Zombie gives a rat’s ass. “Nights in White Satin” is still an awesome song though.

7. The cell phone ringtone from One Missed Call (2004)

Being a ringtone, this song has no lyrics at all, but it’s strangely haunting and the kind of tune that gets stuck in your head and you can’t remember where you heard it. The American remake chose inexplicably to use a different song than that used in Takishi Miike’s original, but the Japanese version of the song is far better in my opinion. It reminds me of a child’s music box that’s somehow playing underwater or after it’s been badly damaged. As far as I know, the song is unique to the film, and is not a traditional lullaby. In the world of One Missed Call, hearing this ringtone on your cell phone signals your imminent death, similar to the phone call from The Ring but without the prerequisite of having watched a pretentious art school project on VHS. Here’s a little fact that I didn’t know until writing this post: Corey has this ringtone assigned to my incoming calls on his iPhone.

Horror DVD Releases – Week of March 9th, 2010

(descriptions from BestBuy)

Nine Dead (2009)
A masked maniac locks nine strangers in a room together and reveals that he will kill one of them every ten minutes until they can figure out the factor that connects them all. As the clock starts to tick, the desperate prisoners scramble to solve the malevolent mystery in time to save their own lives.

Possession (2007)
An adaptation of the 2002 Korean film Addicted, this thriller stars Sarah Michelle Gellar as a young woman whose husband and brother-in-law each fall into comas. When the brother-in-law comes back to consciousness first, he acts as if he is her husband, making her more and more uncomfortable. Soon she begins to suspect that unnatural forces are working against her.

Tales from the Dead (2008)
Pay a visit to the darkest corners of the human soul with this terrifying horror anthology. The first tale follows a newly-reunited family as they uncover a dark secret about their happy home. The shocks keep coming when an underworld accountant runs into an unexpected problem while attempting to set his books straight, and later a materialistic businessman discovers that time is the only thing he’s running short on. The anthology winds to a close when an unrepentant black widow encounters a pretty young girl on a lonely country road.

Dead Life (2005)
Dead Life concerns a virus that wipes out the living and then resurrects the dead as zombies. Maxx saw the effects of this virus as a child when his father succumbed to it. Many years later Maxx finds himself defending his hometown from a new strain of the deadly virus.

House of Fears (2007)
Unrest star Corri English headlines this haunted house shocker about a group of teens forced to confront their most primal fears. All they wanted was to experience a cheap thrill or two by exploring a house that was said to be haunted, but after discovering an exotic artifact these six teens will become trapped in a labyrinthine house of unimaginable horrors. Will anyone be left to tell their horrifying tale when the morning sun ascends over the horizon, or could this evil be powerful enough to consume them all body and soul?

Haunted Echos (2008)
Their eight year old daughter abducted from their home and brutally murdered, grieving parents Guy (David Starzyk) and Laura Dykstra (Sean Young) attempt to move on with their lives by restoring an old home. Little did they realize their nightmare was just beginning.

Horror Community Highlights – March 5, 2010

  • 80s Tahi Horror Movie Posters That Will Melt Your Face
    I09
    I’m partial to the one of They Live, but the ones for Evil Dead are just as awesomely strange
  • 10 Reasons Why They Live Is So Freaking Cool
    Day of the Woman
    “Roddy piper is a straight up one-lining bamf.” Amen to that, sister.
  • “Rowdy” Roddy Piper Talks They Live!
    The Vault of Horror
    This is just plain awesome. I grew up watching the guy kick ass in the ring, and then on the big screen in one of the finest horror movies of the 80s. During interviews, including this one, he’s an intelligent, well-spoken, generous guy. Thank you B-Sol!
  • Rant: The Current State of Horror Blogging
    I Love Horror
    Whether you agree with the argument or not, every horror blogger should read this post, which is part rallying cry, part manifesto.
  • Planet Comics
    NAME OF WEBSITE HERE
    The July 1945 issue of Planet Comics is entitled “The Lost World” and it reminds me a little of Dead Snow, except the Nazi-esque zombies are from another planet.
  • Horrifying Oscar Predictions!
    Kindertrauma
    The folks at Kindertrauma have made Oscar predictions using an intriguing horror-themed logic.
  • Killer Tracks
    Final Girl
    A list of Stacie’s “five favorite WTF? horror movie songs.”
  • Poetic Death
    Slasher Speak
    The book is “a collection of poems told from the viewpoints of the victims of a fictional mass murderer.” It’s a terrifically clever idea, and I really wish Vince would have posted his poem appearing in the anthology (or at least a few lines of it). But I suppose I can wait until I get my hands on a copy.
  • Martyrs Movie Posters
    Final Girl
    “Still wrapping my head around Martyrs, trying to figure out what I’ll say when I finally write about it.” I can’t wait to hear what Stacie has to say about it, but until then, she’s kind enough to let us gawk at some of its bizarre and interesting posters.
  • Little Ladies Love Retro Posters
    Club Silencio
    “Giant gross men, little bodacious women.” This is the strangest collection of movie posters you’re likely to see in a long time. The folks at Club Silencio are mad geniuses for thinking of it.


email suggestions for next week’s community highlights to jon@evilontwolegs.com

Eleven Horror Movie Plants With Whom You Should Not F (part 2)

since none were released, there’s no horror movie dvd list this week, but we do have the final part of our “eleven horror movie plants with whom you should not f.” part one covered several evil trees and even a particularly menacing red vegetable, but this part of the list is where shit gets real.



6. plant goo from space, CREEPSHOW

stephen king isn’t much of a director or an actor, but the one exception to this is his incredibly humorous portrayal of simple-minded jordy verrill in CREEPSHOW. jordy is in dire financial trouble (he’s behind on a $200 loan from the bank). he thinks he’s struck gold when he stumbles across a meteorite, reasonably wondering “how much they’ll pay for this up the college?” unfortunately for jordy, the meteorite contains a fast-growing plant-like organism that quickly consumes everything it touches. his home, belongings and eventually even he himself becomes completely covered in the moss-like substance, leaving jordy few options not involving watering himself or trying to get a gig as a chia-pet spokesman. while leading credence to the panspermia theory of how life arose on earth, this story ends rather pessimistically for our planet’s current residents with the organism slowly spreading outward from jordy’s home, destroying and/or covering everything in its path.

5. biollante, GODZILLA VS BIOLLANTE

no one creates and/or revives gigantic, destructive monsters quite like the japanese. see if you can follow this… after a particularly brutal rampage by godzilla, clean-up crews collected several pieces of his skin. a scientist decided it would be a good idea to try to make more resilient and hearty crops by splicing godzilla’s dna found in the skin into plants. other nations disapproved of this obviously brilliant idea, and bombed the japanese scientist’s lab, killing the scientist’s daughter in the process. in a rather sweet (but also creepy) move, the scientist splices his daughter’s dna into a rose bush in the hopes of preserving some aspect of her. years later, with the rose bush dying, the creepy father/scientist decides to try to keep the plant alive by splicing in godzilla’s dna as well (making this a rose/daughter/giant monster bouquet, which is roughly the same thing has having a loving child). unfortunately this doesn’t go so well, and the flower turns into a giant, slobbering monstrosity named biollante, complete with tusks and vines with mouths. godzilla and biollante roll around for a while on model buildings, but the fight ends up roughly a draw with godzilla sinking into the ocean and biollante turning into a bunch of space spores (while not yet confirmed by toho, those spores may have given rise to another of godzilla’s adversaries — space godzilla!). biollante is some-what reminiscent of audrey ii in appearance, but is larger, more dangerous, more mobile and has much less of a singing voice.

4. pods, INVASION OF THE BODY SNATCHERS

of all the evil plants listed here, these are probably the least outwardly violent but also the sneakiest. like little green crouching tigers, space pods sit patiently, waiting for you to be at your most vulnerable. once you’re asleep, their creepy little tendrils slink out and digest you, leaving a near perfect duplicate in your place. the resulting ‘pod people’ are identical to the originals, except they are devoid of emotion, are set on world domination, screech a lot and are communist (well, at least metaphorically). approaching the whole taking over the world thing from a “change the system from within” approach is indeed a clever plan, which is surprising given the idea came from a bunch of plant pods. still, you can’t come down too hard on the pods because regardless of which version of the story you watch, their plan seems to be very effective, besting even the likes of david sutherland and jeff goldblum.

3. leaves, THE RELIC

i’ve seen THE RELIC a few times, but i still don’t fully understand the plot. to the best of my understanding, there are these south american leaves that contain a mutating virus. coming into contact with these leaves will slowly turn you into a cgi rhinoceros-thing that tears up museums and has an insatiable hunger for said leaves, human hypothalamuses (hypothalamusi?) and tom sizemore. this creature, known as the mbwun (literal translation: “he who walks on all fours;” more useful loose translation: “he who just ate your brainstem“), is basically the result of a particularly unfunny practical joke the natives play on white men who come into their jungle and try to take their statues. moral of the story? do not go to south america and try to take other people’s statues.

2. trees, THE EVIL DEAD

while most of the plants on our list are content to just take over the world, dissolve you into your base minerals or smash you to a pulp, the kandarian demon possessed foliage of sam raimi’s THE EVIL DEAD kick things up a notch by trying to rape you. i suppose we’re lucky this idea never occurred to audrey 2 or biollante, but that will likely do little to comfort someone when they’re being felt-up by a pine tree. in THE EVIL DEAD, the trees actually leave cheryl alive after their encounter, but no one (not even her brother, ash) believes what happened to her. while the crimes of these trees may pale objectively in comparison to the murderous world-destroying antics of some of the other plants on this list, THE EVIL DEAD trees get our #2 spot because, come on — raping your sister? in terms of evil vegetation, this shit just got personal.

1. vines, THE RUINS

i made THE RUINS my #1 horror film of 2008 and i’m making its central villain #1 on this list as well because THE RUINS didn’t just make plants scary — it made them terrifying. playing off our fears of nature, disease and bodily intrusion, the vines from THE RUINS are the stuff of nightmares. without warning, they can drag you off into some dark, moist area and drink you alive… and that’s if you’re lucky! if you’re not, they’ll slowly grow into a wound, take root within, drive you insane and eat you from the inside out. fun!

so yeah — while you shouldn’t f with any of the plants on this list, personally i’d much rather face a hungry tomato, a druid god, a singing venus fly trap, or even an old-fashioned tree rapin’ before i got anywhere near the ancient architecture loving botanical bastards from THE RUINS.

Eleven Horror Movie Plants With Whom You Should Not F

in horror films, as far as eukaryotes go — animals get most of the attention. we’re all familiar with various animal horrors that should be avoided. whether it be primate (e.g. KING KONG, MONKEY SHINES, and all human slashers like jason and leatherface), insect (e.g., THEM, MIMIC), fish (e.g., JAWS, PIRANHA), or fowl (e.g., THE BIRDS, BEAKS), we’re all pretty well versed in which animals want to eviscerate us and which want to cuddle. with all those fancy teeth, claws, stingers and chainsaws, it’s easy to see how one might overlook the horrors that other, less flashy multicellular organisms offer — but plants also offer their own unique brand of terror, as leafy and chlorophyll powered as it may be. therefore, in the interest of public awareness, i give you part one of “eleven horror movie plants with whom you should not f.”



11. the kingdom plantae, THE HAPPENING

it’s never stated exactly which plants are targeting people with a suicide-inducing neurotoxin, but the implication seems to be just about all of them. scientifically unsound, it’d hard to believe that rose bushes and pine trees both evolved the same toxin simultaneously — but that’s not really this film’s biggest problem. the larger issue is a horror film that asks you to be afraid of chia pets. still, if this were to really happen you would be wise to find a way to appease our new leafy overlords as there appears to be little you could do to avoid the effects of this neurotoxin — except wait a few days for this new evolutionary adaptation to disappear. as they are apparently prone to do, in fantasy worlds designed around m. night shamalamadingdong’s fourth grade understanding of botany.

10. the family tree, POLTERGEIST

take POLTERGEIST as a lesson, kids — if your dad tells you that thing you’re afraid of is nothing to worry about and that you should actually be comforted by it — know that the object of your fear is definitely going to try to eat you. soon. luckily for robbie, the killer tree in the front yard was just a distraction to suck carol anne into the closet of phantasmagorical sucking, but that doesn’t mean that the creepy tree outside your window isn’t dead set on making you into a late night snack. to creepy trees, all you are is a little pajama-clad, blood-filled twinkie.

9. audrey ii, LITTLE SHOP OF HORRORS

while it isn’t rare for plants on this list to crave human blood, it is unique to this entry that the plant in question can talk, (and in most versions) sing and dance. while audrey ii started off cute enough sucking drops of blood from seymour’s fingers, he/she quickly becomes a force to be reckoned with, demanding more fresh blood and freshly murdered singing dentists to satisfy his/her appetite. while seemingly destroyed before completing his/her plan to spread his/her seeds across the planet in the 1986 film version, audrey ii is more successful in the original stage play, apparently succeeding in killing seymour and starting a world-wide plantegeddon. while this is true of many of the plants on this list, the basic lesson here appears to be “don’t screw around with plants from outer space.”

8. druid tree god, THE GUARDIAN

while the druid tree god may seem like a good buddy to have in the beginning of this film (when the forest stops a nanny from being raped), especially given that its female followers tend to get naked surprisingly often. however, its desire for human infant sacrifices revealed later in the film is probably a deal-breaker. as far as deadliness goes, the druid tree god is actually kind of a push over. just remember to a) not feed it any infants and b) bring a chainsaw.

7. tomatoes, ATTACK OF THE KILLER TOMATOES

while many films keep the plant based threat hidden until mid-way through the picture, the threat from tomatoes is stated quite clearly in this film’s opening song. as it says, “they’ll beat you, bash you, squish you, mash you, chew you up for brunch, and finish you off for dinner or lunch!” that doesn’t give you a lot of wiggle room for survival, or so it would seem in the earlier parts of this send up of b-movie classics. as it turns out, tomatoes (or at least those of the “killer” variety) share a devastating weakness — they shrink and become incapacitated when they hear the song “puberty love” (or, in at least once case, simply have the sheet music for the song shown to them). while it’s fairly unlikely you’ll be involved in a killer tomato related altercation, it’s probably best to have “puberty love” loaded on your ipod, just in case.

keep your roundup handy for next week, when we count down the final six plants that you wouldn’t want to run into in a dark greenhouse.

Tentacle Crime Go! – Final Girl’s Bloggenaire Interview With Corey

stacie ponder over at final girl has been doing her own unique brand of interviews with various horror blog writers, referred to as the “bloggenaire interviews.” much to my giddy excitement, today my answers to her ‘oh-those-are-so-stacie-esque’ queries were posted on her site. it’s not every day that you get featured on your favorite horror site, so at the risk of shameless self-promotion, here’s a link to my interview at stacie’s site (and i’ve also reproduced her q&a below). if you run a horror blog yourself and would like to take part in her questionnaire, visit this post for instructions.



Reading Corey’s answers, I found out some interesting things regarding the genesis of Evil on Two Legs, one of Final Girl’s oldest and raddest cyber-friends. SOME VERY INTERESTING THINGS. What I didn’t find out, however, is why he eschews capital letters so very much! Oh well, next time.


1) What’s the key moment that led you to click that “Start Your Blog” button?

Eo2L originally existed in 2000 as a more traditional website with reviews and articles dealing with the slasher genre, organized by film. It lasted for a few years until I shut it down, due to a lack of time to devote to it. (The following is absolutely true, and not just me brown-nosing.). In 2007, I came across finalgirl.blogspot.com and began reading it chronologically from the beginning, leaving comments as I went. I was impressed by the combination of a highly personal and conversational writing style with the focus on a singular subject matter (horror films). Days later, when I got caught up to the current post, I decided that, with the help of my best friend Jon, I was going to resurrect Eo2L as a horror blog focusing on slasher films. So yeah. Basically, I ripped you off. Sorry ‘bout that.


2) Please describe your blog in no more than 3 sentences. You must include the words / phrases “morbid”, “aesthetic”, and “electromagnetic”.

Like most horror blogs, Eo2L is a contradiction. Devoted to an undeniably morbid topic (the cinematic portrayal of young adults being murdered by masked psychopaths with sharp objects), our site approaches this subject matter with humor, passion and a cartoony visual aesthetic. Many of the anagrams for the name of our site (e.g., Loveliest Gown, Legit Snow Love), like many of those for the word electromagnetic (e.g., Arctic Melee Tong, Tentacle Crime Go!, Cancer Gem Toilet), make little sense but would be great titles for the prequel to John Carpenter’s The Thing.


3) Bearing in mind that opinions are subjective (except mine because I’m always right), do you enjoy movies that are generally considered “bad”? Why or why not?

The biggest crime a film can commit is being dull. I enjoy almost any film that holds my attention, regardless of why. It’s fantastic when that reason is talented filmmaking, but I can’t deny that I’m mesmerized by inept storytelling, nonsensical plots and bizarre direction (e.g., H2 or anything by Dr. Uwe Boll).


4) Did you know that there exists one variety of carnivorous parrot? It’s true. They live in the mountains of New Zealand, and they eat the fat surrounding the kidneys of sheep- WHILE THE SHEEP ARE ALIVE. It’s horrible.

This sounds like a decent setup for a made-for-television SyFy thriller. Jimmy Buffett could direct, star in, and write a song for it. Maybe call it Carnivoritaville?

Holy fucking shit, Stacie can’t stand Jimmy Buffett!


5) What’s the one- ONE- horror movie you love so much you want to stick it down your pants?

Is that the front of the pants or the back? Depending on which, it’d either be Halloween (1978) or Friday the 13th part VII: The New Blood.


6) Adrienne Barbeau. Discuss.

Not a huge fan, but this question prompted me to look her up on IMDB. Did you know she’s the only female in John Carpenter’s The Thing? She’s the voice of the chess computer. That’s the kind of juicy role you can only get by being married to the director.

Corey’s time in High School was…well, it was weird.

7) Why should people bother to read your blog?

Three words: Sexy Sidebar Widgets.


8) Where does Jigsaw get all the money he needs to build all those traps and buy all that warehouse space? Better yet, does he have some sort of engineering background? He must, right, if he designs all that crap?

While they quickly changed their age requirement and put strict restrictions on what could and could not be asked for, the Make-a-Wish Foundation grudgingly granted his wish for 100 abandoned warehouse real estate holdings, a dedicated team of electrical and mechanical engineers, 10 pig masks and (I quote) “a spiffy red/black cape that doesn’t make me look fat.”


9) Several theories regarding the reasons why people would subject themselves to watching horror films (when they’re so, you know, traumatic) exist. Which is closest in line with your feelings on and reactions to the genre? Feel free to elaborate. Or don’t, see if I care.

a) RELIEF THEORY: The unpleasant feelings of distress cause more stimulating feelings of relief when the unpleasantness passes- the stressed arousal caused by fear becomes pleasurable arousal later on.
b) CONTINUOUS REWARD: The excitement felt during the film is the appeal in and of itself.
c) SOCIAL THEORIES:
1) Stereotypical gender roles are reinforced: men act as protectors, women need protection.
2) Violating social norms- watching “deviant” entertainment- is exciting.
3) Experiencing heightened emotions with others makes us feel like we “belong” and we’re truly part of a group.

Horror films are, in many ways, comparable to roller-coaster rides. You get all the positive aspects of a traumatic experience (excitement, adrenaline, etc.) without the inconvenience of actually dying. There’s also something to be said for the idea that horror films are a way to deal with our fears in a controlled setting that, logically, offers little danger but emotionally feels quite real. Death is, of course, the ultimate fear – and maybe horror films allow us to come to a better understanding of it. Or, less optimistically, perhaps they strengthen our own personal denial of death since we experience it through the characters in films over and over again, and yet are still fine once the credits roll.


10) Which year produced better horror movies: 1977 or 1981? Why?

1981 is the bee’s knees. In addition to being THE year for slasher films (Halloween 2, My Bloody Valentine, Friday the 13th part 2, The Burning, The Prowler) 1981 also gave us Saturday the 14th. Case closed.


11) What the eff is up with those French and their crazy horror flicks?

I know, right? It’s like they took a film canister and filled it with The Texas Chainsaw Massacre, a bunch of croissants, two servings of crazy and ten servings of awesome and shook it all around.


12) What’s your favorite Animals Run Amok movie?

Mega Shark vs. Giant Octopus. Or Jaws.


13) If Jason Voorhees is on a train heading east at 80mph and Leatherface is on a train heading west at 65mph…why the hell would anyone ever watch Rob Zombie’s Halloween?

They’re big Nazareth fans?

Love does indeed hurt. So do knives. And sometimes, love hurts just like a knife.

14) What are your funereal wishes?

Um, eternal life? Unless that involves sparkling in the sunlight.


15) Why do I have such a fondness for Shelley Hack? It’s not like she’s really done much to deserve it, but there it is.

You’re a weirdo. In a good way.


16) You’re on a sinking ghost ship that’s being piloted by a witch. What are your last words?

“LSD is not as fun as I was hoping.”


17) Asking about your funereal wishes and your last words means nothing, I swear.

That’s a relief. I was beginning to wonder.


18) Do you know where I can get some lye?

Yeah, try www.aaa-chemicals.com and search fo… HEY!


19) Weren’t you glad when THAT JERK in THAT HORROR MOVIE got what was coming to him?

Dude, that was Sa-WEET.


20) Overall, what’s your favorite era of horror films?

Like most Gen-Xers, I loved the 1980s. And I’m pretty fond of our current one, actually.


21) Would you rather be:
1) a vampire
2) a witch/warlock
3) a werewolf
4) a Frankenstein (and yes, I know technically it’s “Frankenstein’s monster” but “a Frankenstein” sounds better)
5) a Jaws

“5) a Jaws” made me laugh, but I’d have to go with #1. Assuming the “no sparkle” rule from before.


22) If you could turn back time- if you could find a way- would you take back those words that hurt me, so I’d stay?

What am I supposed to do, sit around and wait for you? And I can’t do that-there’s no turning back. I need time to move on, I need love to feel strong ’cause I’ve had time to think it through. And maybe I’m too good for you. Ohh. Oh.

I’d like to caption this with “Which witch is which?”, but that wouldn’t make sense.

23) What’s something you want people to know about you or your blog that I didn’t ask?

If we’d known how many leg fetishists Google would mistakenly filter to our site – we might have chosen a different name.

Horror DVD Releases – Week of February 23rd, 2010

(descriptions from Netflix & BestBuy)

Dead Snow (2009)
A group of Norwegian friends get the scariest history lesson of their lives during a weekend getaway to the snowy town of Øksfjord, where the party is interrupted by throngs of Nazi zombies who once occupied the area. Armed with a machine-gun-equipped snowmobile, the gang fights for survival in director Tommy Wirkola’s quirky horror, shot on location in the mountains of Norway. The film had its U.S. premiere at the 2009 Sundance Film Festival.

Sorority Row (2009)
When a prank results in the accidental death of a Theta Pi sister, the sorority’s members keep the crime under wraps. But as graduation rolls around, a masked killer begins stalking and slaying the girls responsible for the death. Someone is out for revenge, but who could know about their dirty little secret? Stewart Hendler directs this slasher flick that stars Jamie Chung, Rumer Willis and Audrina Patridge.

The Box (2009)
Screen siren Cameron Diaz and former X-Man James Marsden star in the supernatural horror picture The Box (2008), directed by Donnie Darko cult fave Richard Kelly. The film’s premise involves a strange and ominous box granted to a young couple by a mysterious stranger (Frank Langella). They are informed that pressing various buttons on the box will grant them riches while killing a person unknown to them in the process.

Colour From The Dark (2008)
When poor Italian farmer Pietro (Michael Segal) and his troubled young sister-in-law, Alice (Marysia Kay), awaken a strange force at the bottom of their well, an otherworldly color creeps through the landscape and — at first — brings the family good luck. But soon the sinister color plunges the farmer and his clan into a terrible form of madness. Ivan Zuccon directs this film based on a story by pioneering horror-fantasy writer H.P. Lovecraft.

Edgar Allan Poe’s The Pit and the Pendulum (2009)
Edgar Allan Poe’s riveting tale of horror grips the screen again as the mysterious Dr. JB Divay (Lorielle New) takes seven college students to a creepy former mental asylum to prove her theory that the pain threshold can be controlled with hypnotherapy. The fun and games turn serious as the students begin to die and others are compelled to engage in unusual sexual pairings. David DeCoteau directs this homoerotic take on the classic tale of terror.

The Caretaker (2008)
Topher (Andrew St. John), Ricky (Diego J. Torres) and Snail (James Immekus) plan to surprise their homecoming dates with a trip to an isolated orchard, the supposed home of a killer known as the Caretaker. Since it’s also Halloween, there’s sure to be a few tricks in store for the ladies. This teen slasher flick co-stars Jennifer Tilly as an inappropriately amorous teacher and Judd Nelson as an overprotective dad.

Open Graves (2009)
When hotshot surfer Jason (Mike Vogel) and his wave-riding pals decide to play a curious old board game they stumble upon, they quickly learn the game’s dark secret: The winner gets a wish, but the loser dies a mysterious and grisly death. Now it’s up to Jason and his girlfriend, Erica (Eliza Dushku), to destroy the game and end its curse once and for all. This horror film from director Álvaro de Armiñán co-stars Naike Rivelli and Alex O’Dogherty.

Cirque du Freak: The Vampire’s Assistant (2009)
Things get freaky fast for 16-year-old Darren Shan (Chris Massoglia) when his friend (Josh Hutcherson) takes him to a circus that’s chockfull of sideshow oddities. There, he meets vampire Larten Crepsley (John C. Reilly) and receives a life-changing bite on the neck. As the newest member of the mysterious Cirque du Freak troupe, Darren keeps company with Madame Truska (Salma Hayek) and sparks a war between the vampires and their rivals.

new on blu-ray

Horror Community Highlights – February 19, 2010



email suggestions for next week’s community highlights to jon@evilontwolegs.com

Six Great Zombie Romances

One of the many reasons I love zombie movies is that they explore such a rich variety of topics, including racism, consumerism, the military industrial complex, linguistics, documentary making, and, of course, the apocalypse. But there’s a kinder, gentler side to zombie films as well, and sparkly vampires aren’t the only vehicle for exploring the depths and passions of true love. So, in honor of February 14th, here’s a list of some of the greatest zombie love stories ever told.



1. Freddy and Tina in Return of the Living Dead (1985)
Even though the smoking-hot, zombie version of Trash gets a lot of on-screen attention, all of my sympathy goes to Freddy. He’s a decent enough kid who’s simply trying to distance himself from his miscreant friends by holding down a respectable job and spending quality time with his best girl Tina. But Freddy is one of those lovable losers who just can’t ever seem to catch a break. He has what must be the world’s worst first day on the job at the Uneeda Medical Supply company when he’s infected with the zombie-inducing Trioxin. All through the terrible ordeal that follows, Tina stands by her man, up until the point that he tries to eat her. In a way, it’s a testament to Freddy’s undying loyalty to Tina that he only wants to eat her brain. Still, Tina has no choice but to lock him up in the chapel and abandon him. Even though it’s part of the funeral home, I can’t help but think of it as a symbolic wedding chapel and, sadly, a reminder of what could have been for this young couple.

Relationship Status: Nuked from orbit. It’s the only way to be sure.

2. Curt and Julie in Return of the Living Dead 3 (1993)
This movie gives its audience a new twist on the classic Romeo and Juliet story. Young Curt is madly in love with Julie, but his father’s job in the military is forcing them to move to a new town. So Curt, playing the part of the reckless teenager to perfection, runs away with his best girl, nothing between them but the shirts on their backs, a run-down motorcycle, a packet of Twizzlers and a hard-on. But their brief moment of teenage bliss is cut short when Curt crashes his motorcycle, killing Julie. But Curt wont’ give up just yet. He remembers seeing a strange chemical where his father works that seems to bring the dead back to life and, of course, tries it out on Julie. It’s the sort of rash, irresponsible thing that any good Romeo would do, and, like Shakespeare’s play, this film is a parody of teenage melodrama in a world that has failed to give them a safe place to act it all out. But this film asks questions that Shakespeare never dared. For instance, zombie-Julie loves Curt, but does she love him enough to stave off her hunger for human brains? And does Curt love Julie enough to stick with her, even though she’s now a self-mutilating, brain-eating ghoul? In the end, love does conquer all, as Curt and Julie would rather die together in an industrial furnace than live apart.

Relationship Status: In a burning ring of fire.

3. Michael and Luda in Dawn of the Dead (2004)
One of the many strengths of this movie is the way it turns into a profound character study that examines, among other things, just how loyal we are, or should be, to our families and fellow human beings. This is painfully evident in the relationship between Michael and Luda. Michael may be selfish and a petty criminal, but he loves his wife and protects her, even after she’s been infected, and even if it means risking the lives of everyone else trapped in the mall. I suppose the message here might be that love always trumps other ethical considerations, or that love can sometime blind us to the uglier truths around us. Andre refuses to see his newborn zombie-baby as anything other than his baby girl and will kill anyone who tries to hurt his zombie family. It’s a profoundly sad testament to the fact that the ties that bind can also destroy us, and that even our best human instincts and emotions can become dangerous and depraved. In a way, that’s what the best zombie movies are all about.

Relationship Status: Shot through the heart. And the head.

4. Gwen and Steven in Dance of the Dead (2008)
It’s now a truism, and something of a rallying cry, that “vampires don’t sparkle.” I would like to amend that by adding “but zombies sure can dance.” At least, that’s the case in this terrific parody of all the maudlin, saccharine teenage melodrama that Twilight takes all-too seriously. In the film, a high-school prom in Georgia in beset by hordes of zombies, which, when I think back to the awful awkwardness and boredom that was my own Junior prom, is probably a welcome reprieve. At any rate, it gives all the high school misfits and outcasts the chance to seize the day. The centerpiece of all this is the relationship that develops between Gwen and Stephen. Steven could never muster enough courage to ask her out, and Gwen would have never said yes, but all that changes during the zombie attack. Gwen has developed such strong feelings for Stephen that she confides in him that she’s been bitten and infected, and then pulls him into the high school bathroom for the mother of all frantic, teenage make-out sessions. In the middle of it, she turns into a zombie and bites him, turning him into a zombie as well. The two then proceed to passionately devour each other. The entire scene is punctuated by the swelling crescendos of the song “Wait” by the British power-pop band Junk. It’s a silly, grotesque scene that somehow manages to both parody and pay tribute to the emotional power of teenage romance.

Relationship Status: Consumed by love.

5. Denise and Danny in Zombie Honeymoon (2004)
Wedding vows specify “until death do we part,” but does that allow for zombie-ism? Part parody, part serious character study, this film uses zombies as a vehicle to explore the uncertainties, hopes, fears, and life-changing effects involved in a new marriage. All of these emotions are crystallized after Danny seems to die and then mysteriously recovers, and Denise realizes just how much her life now depends on this person she’s married. In one of the more moving scenes in the movie, Danny proves just how much he’s committed to making a new life with her by quitting his job and selling their apartment. But their commitment is really put to the test as Danny’s behavior becomes increasingly horrific, to the point that he begins feeding on their friends. In some ways, this is a parody of how much you change after marriage, as Danny was a devout vegetarian before all this. But this film is also a more serious exploration as to how much change one partner is willing to tolerate in the other. Denise’s mother warned her, “you hurt the people you love,” but what is the limit that she’ll endure? In the end, Denise stays with Danny for as long as she possibly can. And in doing so, this becomes a sentimental and sometimes poignant story about a relationship that love can’t salvage.

Relationship Status: Currently separated.

6. Shaun and Ed in Shaun of the Dead (2004)
There are a lot of dysfunctional couples in this film – Shaun and Liz, David and Diane, Shaun’s mother and step-father – and much of the film is about sorting it all out. It’s also about how Shaun finally finds some momentum and direction in his life. But, more than all of that, it’s a love story that celebrates the power of the bro-mance. Sure, Shaun “gets the girl,” and settles down into adulthood, but the film’s greatest triumph is that not even a nagging girlfriend, or problems with paying the rent, or a zombie apocalypse, or even death itself can disrupt the powerful male bond between Shaun and Ed. This film is a tribute to that particular kind of loyalty that guys instinctively understand, even if their girlfriends never will.

Relationship Status: Happily ever-after.