Horror Community Highlights – October 23, 2009

ekn7p1py


email suggestions for next week’s community highlights to jon@evilontwolegs.com

Why Dogs Hate Halloween

halloween is, by far, my favorite of the holidays, which (given that i run a horror website) is probably no big shock to you. what you may not know is that, in addition to my love of all things horror, i’m also a dog person. i try not to combine my love of all hallow’s eve with my dog-friendliness because i respect the dignity of my pets and never almost never force them into ridiculous halloween masks or costumes. not everyone shares this view when it comes to their dogs, however. people dress their dogs up in all kinds of spectacularly dumb and occasionally awesome halloween attire… and sometimes they take pictures. below you’ll find a slideshow of the best, worst, silliest, cutest, awesomest, stupidest and/or most disturbing dog halloween costumes i could find. sorry cat people — only dogs are allowed here at eo2l. if you want cats, go bug famed horror critic scott weinberg, and see if you can talk him into dressing up jones.



Horror DVD Releases – Week of October 20th, 2009

(descriptions from netflix and bestbuy)

Spine Tingler: The William Castle Story (2007)
This documentary celebrates the work of independent horror movie producer William Castle, who marketed his 1950s-era films with gimmicks such as giving audience members life insurance vouchers in case the movie frightened them to death. Featuring interviews with director Roger Corman and other colleagues of the gleefully shameless promoter, this tribute from filmmaker Jeffrey Schwarz also examines Castle’s later mainstream career.

Wrong Turn 3: Left for Dead (2009)
A group of friends heads for the woods, only to end up on the menu for a cannibalistic mutant known as Three Finger. Only Fonda (Janet Montgomery) manages to survive, and she’s soon joined by a truckload of escaped convicts also fleeing the ravenous freak. Throw in a cache of stolen money to distract the escapees and an unsuspecting search party, and it’s a virtual smorgasbord for Three Finger. Tom Frederic and Tamer Hassan co-star.

Hardware (1990)
A wandering soldier (Dylan McDermott) finds a robot head in the post-apocalyptic desert and brings it back to his girlfriend for use in one of her sculptures. When he investigates the origin of the head, he discovers it’s from the Mark 13 project, which was canceled because of unreliability. The couple (and everyone else) are in for a heap of trouble when the robot puts itself back together using spare sculpture parts!

Last of the Living (2008)
As the rest of humankind succumbs to a virus that turns them into flesh-eating zombies, three pals (Morgan Williams, Robert Faith and Ashleigh Southam) not only survive but thrive — enjoying the easy pickings of a deserted landscape. All of that changes, however, when they meet a pretty girl. Now, the guys’ inner heroes get a chance to emerge in this zombie comedy from New Zealand as they help the lovely young scientist in her race to find a cure.

Blood Ties (2009)
When a group of Hollow’s Pointe University graduate students writes a thesis posing a theory about the still-unsolved slayings that took place there decades prior, they suddenly find their own lives in danger. Twenty years after the original crimes, conspiracy is afoot and student sleuths are turning up dead in this Nathaniel Nose-directed thriller starring DJ Perry, Jason Carter and Anthony Hornus.

Blood: The Last Vampire (2009)
In post-World War II Japan, a top secret government agency sends the teenage katana-wielding half-vampire Saya (Gianna Jun) to an American military base with the assignment of routing out a demon who’s masquerading as a student. A series of violent swordfights leads our heroine to a confrontation with the formidably deadly vampire Onigen (Koyuki). Based on the anime film and TV series, this live-action horror thriller also stars Allison Miller.

Freaky Faron (2009)
After shooting and nearly killing a weatherman when she was 11 years old, Faron Hallowell (Courtney Halverson) claimed that alien beings ordered her to murder him. Now, fresh out of a five-year stay in a mental hospital, Faron finds herself beset by unexplained events. She’ll have to use her supernatural powers to protect herself and those around her — and to finally learn the truth about her identity — in this sci-fi spine chiller.

The Torturer (2008)
Rick (Andrew Walker), an American military interrogator working on contract during the Iraq war, resorts to extremes while questioning a Muslim female detainee (Mahsa Masoudi) in the high-stakes atmosphere of the war on terror. Now, he’s suffering the consequences. Returning to the United States with severe post-traumatic stress disorder, Rick must turn to a clinical psychiatrist (Nichelle Nichols) to get healthy enough to resume his grim work.

P (2004)
When a young witch from a remote village in northeastern Thailand travels to Bangkok in hopes of raising the money to care for her ailing grandmother, her breaking of the witch’s sacred code soon leads to disaster in this frightful tale of magic from director Paul Spurrier.

Ravage the Scream Queen (2009)
When two guys discover a DVD-R containing an amateur snuff film, one is inspired to become a murder movie auteur. Luring aspiring scream queens to his lair with the promise of appearing in a film that will launch them to super-stardom, he then proceeds to systematically torture and slaughter the would-be starlets.

Homicidal / Strait-Jacket (1961)
It’s kill and be killed in this deadly double feature: In Strait-Jacket, Lucy (Joan Crawford) tries to prove herself after spending 20 years in an asylum for murder; in Homicidal, heiress Miriam Webster (Patricia Breslin) fears for her life when a blond bombshell (Jean Arless) plots her demise. Both femme fatale flicks are from iconic horror maven William Castle, a director with a reputation for low-budget B movies and nifty marketing gimmicks.

Mr. Sardonicus / The Old Dark House (1961)
William Castle presents two classic screamers: Mr. Sardonicus, the tale of a man whose face is frozen into a horrifying grimace, and The Old Dark House, in which an auto salesman (Tom Poston) delivers a car to his client, only to find the man dead on arrival. The producer of Rosemary’s Baby, Castle began his career as an iconic director of gimmicky spine tinglers with notoriously low budgets, and this double dose of death delivers on his reputation.

13 Frightened Girls / 13 Ghosts (1960)
Several diplomats’ daughters are drawn into international intrigue and murder in 13 Frightened Girls. Then, in 13 Ghosts, a man (Charles Herbert) inherits his uncle’s mansion and stumbles upon spirits that are only visible to guests who wear special goggles. Horror maestro and iconic showman William Castle stirs a splash of comedy into his suspenseful concoctions in this pair of classic 1960s chillers.

The Tingler / Zotz! (1959)
This double feature pairs a classic horror flick — about a pathologist (Vincent Price) who experiments with a parasite that clings to the spinal cord of victims — with a classic comedy about a professor (Tom Poston) who discovers the zotz, a coin with magical properties. William Castle, who directs both films, initially introduced The Tingler in theaters with electrically “enhanced” seats that delivered a mild shock to audience members.

Horror Community Highlights – October 16th, 2009

spooky
  • Encounter of the Spooky Kind (1980)
    In it for the Kills
    In what would later become a tradition in 80s Hong Kong horror, Encounter is “the first movie besides Legend of the Seven Golden Vampires to have the hopping corpses who can’t find you if you hold your breath.”
  • Last House on the Left (2009)
    Kindertrauma
    If you think horror remakes always suck in comparison to their original, classic version, then I command you to read this right now!
  • Killing 9 to 5
    Deadly Doll’s House of Horror Nonsense
    I agree. It’s just plain nuts that the modern American workplace has been used in film as the vehicle for romance, comedy, thrillers, but not that much for horror.
  • 31 Screams: Rosemary Lane
    Arbogast on Film
    I don’t care how you slash it, THIS is interesting writing: “… because horror lives where hope dies. And what is screaming but the tune without the words that never stops at all.”
  • B-Sol’s Return of the Living Dead Commentary and the Vault’s Second Anniversary
    Vault of Horror
    I love The Return of the Living Dead. I love the Vault of Horror. ‘Nuff said.
  • 13 Haunted Houses That Will Make You Pee Your Pants
    InventorSpot
    I’m helping to build a haunted house this Halloween, so I’ve been thinking about them a lot lately.


email suggestions for next week’s community highlights to jon@evilontwolegs.com

Stuff I’ve Been Watching (ghost house edition)

seventh moon
i kinda enjoyed seventh moon, but that may have a lot to do with its story hitting pretty close to home. it’s about a couple on their honeymoon in an exotic locale which turns against them. having just gotten back from my own honeymoon (which was my first trip out of the country), it wasn’t hard for me to identify with the main characters. the documentary visual style (very similar to that used in open water) further heightened the creepy factor. the first half of the film worked better for me than the last half because, once the threat is revealed (see the cover), i realized i’m just not all that scared of skinny, bald, pasty-white chinese guys. still, while i wouldn’t recommend it as highly as the children (the best of this year’s four ghost house film releases), i’d still suggest checking it out.

the thaw
the thaw really isn’t all that bad, but i would probably like it a lot more if it hadn’t stolen 90% of its story and ideas from the classic x-files episode “ice” (which, admittedly, stole many of its ideas from john carpenter’s the thing). the thing, “ice” and the thaw all revolve around a research team uncovering a parasite frozen for centuries that infects one or more of the team, leading to a panic and anger-filled game of “who’s infected and who’s not”, followed by a thrilling round of “should we leave here or quarantine ourselves for the betterment of the world.” the thaw throws in val kilmer, some gore and wraps it all up in a silly little eco-terrorism bow, but it’s nothing you haven’t seen before.

offspring
this is, by far, the worst of the four recent ghost house pictures offerings. based on a jack ketchum novel (which, i believe, is a sequel to a novel that hasn’t been filmed yet), the story revolves around a lighthouse keeper’s children who went native for some reason and started living in caves and wearing really cheesy tarzan outfits. occasionally they get hungry and wander away from their caves (situated along the new england/canadian border) to invade people’s homes and eat them. and steal their babies. a few insulting movie cliches get thrown in for good measure (the “so-evil-it’s-ridiculous” abusive ex-husband, the overweight alcoholic villain-obsessed ex-cop, etc.), but mainly the film is about a bunch of kids in flintstones costumes grunting and pulling out fake intestines from people’s tummies. despite what the boxart may tell you, it’s not compelling, it’s not frightening and it’s not controversial… it’s just silly.

clive barker’s book of blood
clive barker adaptations are usually hit-or-miss, but book of blood falls mostly into the ‘hit’ category. watching it “feels” more like reading barker’s prose than anything i’ve seen before, largely due to the bbc quality of the video and the undeniably british-ness of just about everything. the majority of the scares are of the amityville-esque paranormal researcher ‘haunted house’ variety, which may not satisfy hellraiser fans more accustomed to the ‘chains ripping people into a million pieces and giant penis demons’ variety of horror. that said, book of blood does feature one of the more grotesque facial removal scenes i’ve ever witnessed. ick! the climax of the film doesn’t really live up to the setup, but overall i quite liked book of blood.

Stuff I’ve Been Watching (chainsaw edition)

home sick alone this weekend with my two schnauzers, i had a lot of time to watch horrors films — some good and some bad. as it turns out, sick or not, i usually watch a lot of horror films during the average week, so i thought i’d turn my obsessive viewing habits into a new recurring feature, which i’ve oh-so-cleverly titled “stuff i’ve been watching”…

the texas chainsaw massacre (2003)
platinum dunes gets an unfair shake from many hardcore horror fans, i think. i was a big fan of friday the 13th and the trailer for their upcoming elm street re-imagining also looks interesting, but it all started with 2003’s remake of the texas chainsaw massacre, my favorite of their releases thus far. director marcus nispel seems to have an odd fascination with teens journeying far from home in search of bushels of marijuana, given that both texas chainsaw (2003) and the new friday the 13th open with that setup, but that storyline works far better in 1970s texas than it does in modern-day crystal lake. this remake abandons the camp of the original series’ sequels, and instead focuses on being as vicious and brutal as the original film, a goal which it largely succeeds in reaching. oh, and kudos to platinum dunes for opening the film with narration voiced by john laroquette (just as in the original) which perfectly sets the tone of the film.

the texas chainsaw massacre: the beginning
in what may be a first, the texas chainsaw massacre: the beginning is technically a sequel which is a prequel to a remake. it actually makes sense though given that the remake had introduced us to a host of bizarre characters, the next logical step was to explain how these characters came to be. the plot line is basically the same (kids run afoul of leatherface’s family and hijinks ensue), but that’s fine because this film has the same gritty tone, mood and visual feel of the remake, which was its biggest asset. as in the first film, r. lee ermey steals the show, in many ways eclipsing leatherface himself as the series’ prime villain, which is no small feat. i think there was even less enthusiasm for this film than the first from horror fans at large, but i personally love them both.

the texas chainsaw massacre 2
two chainsaw films in, i decided to just go ahead and officially make it a southern perennial-unfriendly marathon by throwing in tcm part 2. now maybe it was the fact that i was mainlining nyquil at the time, but i’d completely forgotten how f’ing weird this film is. the whole thing feels like a comedic torture-porn directed by david lynch, which i can’t honestly say is necessarily a bad thing. it would be a bizarre dark comedy all on its own, but tcm 2 is just so different from the original film that i can’t imagine what audiences must have thought back in 1986. while it may lack the scares and visual style of the original, it more than makes up for it in blood-crazed whimsy, gore and wacky dialogue (e.g., “oh, my achin’ banana!”, “leatherface, you bitch! look what you did to my sonny bono wig!”, “dog will hunt!”, and “it’s like super-feedback. just put the underwoofer across the overflapper”).

Horror DVD Releases – Week of October 13th, 2009

(descriptions from netflix and bestbuy)

Drag Me to Hell (2009)
After denying a woman the extension she needs to keep her home, loan officer Christine Brown (Alison Lohman) sees her once-promising life take a startling turn for the worse. Christine is convinced she’s been cursed by a Gypsy, but her boyfriend (Justin Long) is skeptical. Now, her only hope seems to lie in a psychic (Dileep Rao) who claims he can help her lift the curse and keep her soul from being dragged straight to hell.

iMurders (2008)
When a cunning serial killer begins picking off the disparate users of a popular Internet chat room, it’s up to FBI agents Otis Washington (Tony Todd) and Lori Romano (Brooke Lewis) to bring him — or her — down. This suspenseful thriller also stars Gabrielle Anwar (“Burn Notice”) as reclusive former model Lindsay Jefferies, William Forsythe as the calculating professor Uberoth and Billy Dee Williams as the enigmatic Robert Delgado.

The Objective (2008)
Two months after the attacks of Sept. 11, 2001, CIA agent Ben Keynes (Jonas Ball) journeys to Afghanistan to lead an elite special forces team across the barren desert sands in search of a mysterious man named Mohammed Aban. But as the crew slowly divines the real purpose of the mission, they are drawn into a stranger, darker and deadlier world than they had expected in this wartime thriller from the director of The Blair Witch Project.

The Killing Room (2008)
Hoping to make some quick cash, four ordinary citizens volunteer for a run-of-the-mill paid research study only to discover that it’s actually a nightmarish government experiment that threatens their sanity — and their lives. As the subjects try to obtain the correct answers for a series of devious tests, they are forced to make unthinkable choices with terrible consequences. Jonathan Liebesman directs this dark psychological thriller.

Oral Fixation (2009)
Rachel Marks (Emily Parker) has developed an unhealthy obsession with the most unlikely of targets — her dentist (Kerry Aissa) — and like many a sexy stalker, she’ll stop at nothing to make the object of affection hers, and hers alone. As the blood flows and the body count mounts in this dark suspense thriller, you can bet that the dentist won’t be the only one doling out the pain. Writer-director Jake Cashill makes his feature debut.

The Stepfather (1986)
In this acclaimed horror classic, Jerry Blake (Terry O’Quinn) expects only one thing from his family — perfection — and when he doesn’t get it, he doesn’t just get angry, he goes mad: completely, psychopathically, homicidally mad. After brutally dispatching one clan, Jerry sets up shop with a single mom (Shelley Hack) and her brooding teen daughter (Jill Schoelen), who immediately suspects there’s something not quite right about her dear old stepdad.

Satanic Panic (2009)
Inspired by true events, this bloody chiller tells the story of young Toby and Cindy Richards, who are abducted by a satanic cult. Although Cindy escapes, Toby is never found, and Cindy remains haunted by the ordeal. Twenty-five years later, a group of friends reunites for a camping trip, which goes horribly awry when they’re stranded near the site of Cindy’s abduction and terrorized by fiendish satanists looking for sacrificial victims.

Infestation (2009)
Prepare for global swarming. The innocent slacker Cooper (Chris Marquette) begins a new job and shortly enters a mutant nightmare, waking up to find himself trapped inside a gooey cocoon spun by a gigantic mutant insect. After freeing himself, Cooper must find a way to rescue the other people trapped with him and team with them to battle flying, flesh-eating bugs and human hybrid mutants in order to save the planet.

Gnaw (2008)
Six friends head for a holiday in the English countryside. From outside, their remote cottage seems drawn from a picture book. But inside is another matter, as the vacationers find they’re on the menu for the dwelling’s resident family of cannibals. Sara Dylan, Oliver Lee Squires and Rachel Mitchem star in this tongue-in-cheek British chiller, an official selection at Portugal’s 2009 Fantasporto festival.

How to Be a Serial Killer (2008)
Meet Mike Wilson (Dameon Clarke). He’s charming. He’s smart. He’s a serial killer — and a very happy one, too. Determined to share the secrets of his satisfying career, Mike enlists sad-sack video store clerk Bart (Matthew Gray Gubler) as his star pupil. Mike enlightens Bart on the finer points of body disposal and other tricks of the trade, but it’s not long before Mike’s girlfriend catches on to his very odd job in this hilarious dark comedy.

I Spit Chew on Your Grave (2009)
A group of buxom prostitutes under the employ of a warlock pimp lands in big trouble when they accidentally rape the wrong man. And it isn’t long before our chesty heroines must suffer the consequences of their misdeeds. Director Chris Seaver puts the 1970s grindhouse experience through the grinder in this low-budget, over-the-top spoof, which takes aim at such exploitation gems as I Spit on Your Grave and Poon Academy.

Happy Birthday to Me (with restored score) (1981)
Certainly the low point in Glenn Ford’s acting career, this Canadian production is, nevertheless, one of the slickest-looking slasher films from that subgenre’s early-’80s heyday. The plot (what one can make of it) involves an unseen killer stalking a group of college students at the prestigious Crawford Academy. The well-staged murders are mysteriously linked to the slightly off-kilter Virginia (Melissa Sue Anderson, formerly of Little House on the Prairie), whose disturbing past holds the key to the killer’s identity.

New to Blu-ray

Horror Community Highlights – October 9, 2009

posterknow
  • Trailer Tuesday: Hell Patrol
    The Zed Word
    In addition to checking out the trailer for a the new zombie film, you can also win a “Know Your Zombie” poster autographed by Rob Sacchetto, author of The Zombie Handbook.
  • Andrew Wodzianski
    Zombo’s Closet of Horror
    Zombo has provided information about the artist Andrew Wodzianski’s new gallery tribute to the classic House on Haunted Hill.
  • Hitch on the Hump: The Birds (1963)
    The Lightning Bug’s Lair
    I’ve seen this film 20 times, but now I want to make it 21.
  • Monster Parade No. 4
    Frankensteinia
    A brief but cogent tribute to the short-lived horror magazine.
  • The Greatest Fright Fiction of All Time
    The Vault of Horror
    Even though it doesn’t contain quite enough poetry, this list should be part of the curriculum for every liberal arts college in America.
  • Poem – “Zombie Apocalypse”
    dbqp: visualizing poetics
    Even though this is not a horror website, the poet Geoff Huth has written a nifty poem about surviving the zombie apocalypse.


email suggestions for next week’s community highlights to jon@evilontwolegs.com

Trick ‘r Treat

finished in 2007, trick ‘r treat has languished in release limbo, likely locked in the same dark closet as all the boys love mandy lane. passed over for a theatrical release, it was finally dumped to dvd this week with almost no special features (in an odd choice, only the blu-ray was given special features, including the commentary track). further, from what i’ve heard on twitter, it seems like warner bros. sent out an average 0.25 copies of the film to each store, since no one seems able to find a copy. given how it’s been treated by its studio, i don’t think anyone would blame you for thinking that trick ‘r treat was just another low-budget, crappy horror anthology dumped to dvd. however, you would be wrong.

it’s really a shame that the studio didn’t have more faith in trick ‘r treat and that it isn’t opening in wide release later this month for the halloween season. no film, not even the original halloween, has so perfectly captured the mood and atmosphere of the holiday. years from now, similar to how tnt shows a christmas story over and over again for twenty-four hours straight on christmas eve, you’ll be seeing trick ‘r treat shown on cable stations every year come late october. each of the the film’s stories are tied together by the mischievous trick ‘r treater sam (pictured on the cover), and i see him replacing ‘the great pumpkin’ as all hallow’s eve’s official mascot. in my house, anyway.

trick ‘r treat is not just a good horror anthology. with no disrespect towards creepshow, the twilight zone or tales from the darkside (nor to the little zuni fetish doll from trilogy of terror) ~ trick ‘r treat is the best horror anthology ever made. whether you’re looking at its sense of humor (perfectly dark), its cast (superb), its storytelling (clever) or its setting of mood (incredibly atmospheric), there is little you’ll find to dislike here. rent it, buy it or steal it… but seek this film out.

Horror DVD Releases – Week of October 5th, 2009

(descriptions from netflix and bestbuy)

Trick ‘r Treat (2008)
The usually boisterous traditions of Halloween turn baleful, and everyone in a small town tries to survive one night in pure hell in writer-director Michael Dougherty’s fright fest. Several stories weave together, such as a loner fending off a demented trick-or-treater’s attacks, kids uncovering a freaky secret, a school principal — who moonlights as a serial killer — poisoning his candy, and more. Dylan Baker, Anna Paquin and Brian Cox star.

Offspring (2009)
Dead River, Maine, sets the scene for a gruesome dinner party when a pack of feral, flesh-eating kids and a demented, bloodthirsty woman threaten to devour a local couple and their horrified houseguests. While hostess Amy (Amy Hargreaves) fights to stay alive and save her children, a retired sheriff (Art Hindle) mounts his own rescue in this finger-licking-good cannibal tale based on the novel by Jack Ketchum.

Seventh Moon (2008)
Blair Witch co-creator Eduardo Sanchez continues to strip away his characters’ sense of ease and confidence in his third film, which captures the horrors that befall a pair of newlyweds honeymooning in China. Melissa (Amy Smart) and Yul (Tim Chiou) are enjoying the Hungry Ghost Festival immensely, but their hosts think they’re enjoying it too much. Soon, the couple is abandoned in the middle of nowhere — but they’re far from being alone.

The Children (2008)
It’s a classic English Christmas in the countryside — snow on the ground, turkey in the oven, the laughter of frolicking children — until the fun and games take a dark and deadly turn. Is something in the woods spurring the kids to murder? And why are grown-ups always the last to notice when things go horribly awry? There are no easy answers in this nasty little horror flick, but you’ll never see Christmas the same way again.

The Thaw (2009)
When a team of ecology students assisting an environmentalist (Val Kilmer) in the Arctic uncovers the frozen body of a woolly mammoth, they unwittingly release a parasite in need of a new host — and, in the process, unleash a prehistoric terror. The ante is significantly upped when the parasite takes refuge inside the students’ warm-blooded bodies and leads the group to a heart-wrenching decision.

The Gate (Special Edition) (1987)
During a boring, routine weekend, young Glen (Stephen Dorff) and his best buddy Terry (Louis Tripp) decide to explore Glen’s backyard. Before long, the boys come across a strange hole in the ground which yields all manner of sinister prizes. Consulting one of his heavy-metal record albums, Glen comes to the correct conclusion that the hole is actually the Gate to Hell. Offering a sacrifice in the form of a dead dog, Glen further opens the portals of Hades, through which pass some of the most hideous demons imaginable.

Children of the Corn (2009)
In an effort to bring their marriage back from the dead, Burt (David Anders) and Vicki (Kandyse McClure) take a second honeymoon, but their road trip takes an unexpected detour when they get stuck in an empty farm town, where the tall rows of corn hide a horrifying secret. The Sci Fi Channel’s remake of Stephen King’s scary tale also stars Preston Bailey as child preacher Isaac and Daniel Newman as his brash sidekick, Malachai.

Deadly Little Christmas (2008)
Based on a true story, writer-director Novin Shakiba’s slasher flick introduces us to the charming 8-year-old Devin Merriman, who, after celebrating a homey Christmas with his family, brutally murders his dad along with the housekeeper. It’s an escaped lunatic free-for-all as, after a 15-year hiatus, the now-institutionalized Devin (Samuel Nathan Hoffmire) busts out of lockup to satisfy his bloody holiday cravings.

100 Feet (2008)
After killing her abusive cop husband, Mike (Michael Paré), Marnie (Famke Janssen) returns to New York to serve the remainder of her manslaughter sentence under house arrest. But Mike’s vengeful ghost isn’t done taunting her in this gripping supernatural thriller. Meanwhile, Mike’s ex-partner (Bobby Cannavale) keeps close tabs on Marnie, who must wear an ankle bracelet that doesn’t allow her to escape — let alone move past a 100-foot radius.

Feeding Grounds (2006)
Their collective sights are set on a fabulous weekend away in a remote desert cabin. But when eight friends take a detour en route to their destination, they unwittingly invite an otherworldly danger into their midst. Whatever it is, it’s hungry. And they’re unfortunate enough to look pretty delicious. Alex Ballar, Jamie Gannon and Kiralee Hayashi star in this independent horror-thriller with a sci-fi twist from director Junior Bonner.

It’s Alive (2008)
After participating in a series of seemingly safe drug testing experiments, grad student Lenore (Bijou Phillips) endures some horrifying side effects when her new baby turns out to be a natural born killer, leaving a trail of dead in its tiny wake. As the death toll mounts, the doting mom can stay in denial for only so long in this chilling remake of Larry Cohen’s 1974 cult horror hit, also starring James Murray as the proud papa.

It’s My Party and I’ll Die if I Want To (2007)
Some 70 years after Jacob Burkitt snapped and killed his entire family, thrill-seeking teens crash the allegedly haunted Burkitt Manor to give their friend Sara (Adrienne Fischer) a spooky surprise for her 18th birthday. But as the night drags on — and her friends start dying off, one by one — Sara begins to realize that an unspeakable evil is throwing her a killer party. Alicia Kenney and Oliver Lucach co-star.

Senseless (2008)
Ambitious young businessman Elliott Gast (Jason Behr) is violently knocked off the corporate ladder when he’s kidnapped by political terrorists, who torture him for crimes he unknowingly committed. What’s worse, his torment is being streamed live online. An unwilling contestant in a sadistic reality show, Elliott fights for survival, hoping that someone in the home audience will come to his aid in this tense, probing thriller.

Skull Heads (2009)
The eccentric Arkoff family shuns society to preserve the secrets of their castle home in Italy. Along with great treasures, they guard the “skull heads,” mysterious beings that have power over life and death. When the castle is raided by art thieves, violence erupts, endangering the Arkoffs as well as the criminals. Noted horror director Charles Band presents this creepy thriller, which features eerie marionettes along with a live cast.

Splatter Movie: The Director’s Cut (2008)
Armed with a killer script, an up-and-coming cast and a gung-ho crew, low-budget filmmaker Amy Lee Parker (Amy Lynn Best, who also directs) storms into Pittsburgh’s allegedly haunted Hundred Acres Manor ready to make horror movie magic. Unfortunately for Amy and company, the line between reality and fiction becomes terrifyingly blurred when a real killer starts taking out members of the production one by one.

Staunton Hill (2009)
When a group of hikers heads into the mountains of Virginia for some weekend R & R, their pleasant trek goes off the rails when they run into the Stauntons, a deranged family who will do anything to get the interlopers off their land. Now the friends are in a desperate fight for their lives in the isolated backcountry. Cameron Romero directs this horror film that stars Kathy Lamkin, David Rountree, Kiko Ellsworth and Cooper Huckabee.

The Seamstress (2008)
After vigilantes torture and kill a seamstress, she becomes a horrific spirit, hungry for vengeance — and when a group of young friends are trapped on the island where she died, she comes after them with her razor-sharp needles. But as one of the friends, Allie (Kailin See), searches for her missing father, she learns a terrible truth about him while her friends begin dying one by one. Lance Henriksen co-stars in this gory spine-chiller.

Dark Country (2009)
“Hung” star Thomas Jane directs and stars in this thriller that follows the hellish adventures of a newlywed couple who rescue a wounded stranger on the side of the road on their way back from their Las Vegas nuptials. When the almost-dead man goes berserk on them, the couple’s nightmare is just beginning. Ron Perlman (Hell Boy) and Lauren German also star in this chiller penned by Guerillas in the Mist writer Tab Murphy.

Audition (Collector’s Edition) (1999)
Controversial Japanese director Takashi Miike creates this unnerving horror film about a widowed TV producer auditioning prospective wives. In his search, one candidate particularly stands out, a lovely ex-ballerina dressed in white. The widower cannot believe his good fortune, until he starts looking more closely at his potential bride-to-be: her autobiographical details don’t quite check out, she has a number of ugly scars on her legs, and he learns that people in her life have a habit of disappearing. When he discovers a man trussed up in her living room with his tongue and feet lopped off, he concludes that she is perhaps not the woman of his dreams.

Possession (2007)
An adaptation of the 2002 Korean film Addicted, this thriller stars Sarah Michelle Gellar as a young woman whose husband and brother-in-law each fall into comas. When the brother-in-law comes back to consciousness first, he acts as if he is her husband, making her more and more uncomfortable. Soon she begins to suspect that unnatural forces are working against her.

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